The Shaped Art: Nature for the Romantic Poets

When it comes to art, there are lots of reflections and targets in the way of its construction and existence. In literature, in some important and great poems such as Lamb, Tiger, Michael, The Rime of the Ancient Mainer, and Ode to a Nightingale, nature is used well and in a great number of special points. Within its specialty, nature has been sort of a targeted way of experiencing for poets. What makes them different is the target’s shape. Whereas a poet shaped it sharply, the other one might shaped and constructed it in a different style. But there is a sure and well-sharped point: Nature for the Romantics often appears to have two faces, to be the source both of people's happiness and their misery.

As it could be seen, nature appears with duality for important poets. In this duality, the struggle, happiness, peace, pain, death, vivid life, and other inner points related to human nature is surely seen. The point that makes all similar to each other is with human nature, nature itself is combined: While the speaker is talking about an animal, a natural fancy, actually he is talking about his own, comprehending it with nature… Thus, nature and human nature’s relation are focused on by precious poets such as Blake, Wordsworth, Coleridge, and Keats.

First of all, Wordsworth’s art is similar to Blake’s in terms of the values of child experiences and celebration of nature. Vision of nature is the importance of the impact and influence of nature on the human mind and is associated with Wordsworth. Wordsworth’s keenness on nature is important hugely, but what makes a difference in their aspects is Wordsworth’s influence and impact of nature on the human mind and psychology. As it could be seen, their art might be different, but all of it takes its origins from nature with Romantic usages.

As Wordsworth’s characteristics are based on, in his poem Michael, he talked about inner points related to ordinary, ideal people’s nature. Michael appeals to and hopes for lots of things from his little son: It is like being hopeful from nature... It might end with happiness, but it would make me miserable. Similarity. The poet focuses on the misery of human nature and the misery of the world. On the other hand, by loving his son—even if he leaves—he finds happiness. So, Nature for the Romantics often appears to have two faces, to be the source both of people's happiness and of their misery.

In Coleridge’s The Rime of the Ancient Mariner, how the poet experiences many struggle events during his voyage together with his shipmates is written by some time shifts. In poems, there are time shifts, which are past to present and present to past, that make the poem unique. A long narrative poem, it is an approach to nature in its first lines; nature’s power takes place. Nature’s power and making man both happy and miserable are focused on by the poet. Nature is a sort of existence of spirituality, for Coleridge. Controlling and killing the albatross, nature makes the sailors sinners; the spiritual points occurred there. But as long as they accept and learn to live with nature in the same balance, beauty and happiness take place. Thus, it could be seen with great similarities to Wordsworth’s: Nature for the Romantics often appears to have two faces, to be the source both of people's happiness and their misery.

As a characteristic, although Keats had suffered a lot and went through lots of pain, what he found to hold on and live is so precious. This idea reflects lots of his poems, and the same idea is found in this poem: There is a great wish for death, but also he lives in the real world; he believes the world has lots of misery, and he thinks that it is not only negative and bad condition, it might be well, and rest. There are lots of visual and vivid images and a strong imagination towards nature. A nature of human nature, with escapes and finding out: human suffering, human nature, and human mortality.

The scene and songs of nightingales in deep forests are as opposed to negativity; it is an energetic, happy nightingale song, a nightingale that sings happily. Maybe the point the speaker wants to point out is a dilemma in conflict,eridge and Wordsworth’s poems indicated that nature for the Romantics often appears to have two faces, to be the source both of people's happiness and their misery.

Similar to keening on and focusing on childhood experiences, Blake takes place as another important Romantic poet. In his poems Tyger and The Lamb, the speaker asks questions about creation in its first lines. The existence of evil and the violence of the world are some important points related to inner facts and human nature. In his poetry, the tiger and lamb are symbolic in terms of the presentation of evil. Blake points out lots of inner facts by using pastoral themes and important symbolic points. For instance, in his poem The Lamb, the lamb is a child, and the child is a lamb. They are calling each other lamb’. Like Wordsworth, Blake’s art uses values child experiences, and celebration of re. All the poets do not match childhood narrations and experiences, as is said above; the poets met at the same edge, and corner, but they shaped their art in a different and unique style and template. But all of us are us are focused on, whether nature is shaped by childhood experiences as Blake indicated, or makes the speaker maker the happiest; thus, a point occurs: Nature for the Romantics often appears to have two faces, to be the source of both of people's happiness and of their misery.

As could be seen, all those four Romantics used nature as a target, which reflects the happy and miserable nature of humanity. Nature Human nature is based on duality; they all live in nature within their inner nature. What makes sense is their usages and their way of understanding themselves, firstly; then, nature. There are lots of faces, but those poets used the two faces of it in a duality: It makes their art unique and shaped. They shaped and changed the art by putting themselves at the center of that art.